Adam's: Tom has fractured two vertebrae, and the two doctors recommend a

risky surgery to see if the damage can be repaired. They undertake the

surgery, and Willie, Jack, and Lucy wait. Willie tells Lucy that he plans

to name the hospital after Tom, but Lucy says that things like that don't

matter. At six o'clock in the morning, Adam returns, and tells the group

that Tom will live, but that his spinal cord is crushed, and he will be

paralyzed for the rest of his life. Lucy takes Willie home, and Jack calls

Anne with the news. The operation was accomplished just before dawn on

Sunday. On Monday, Jack sees the piles of telegrams that have come into the

offce from political allies and well-wishers, and talks to the obsequious

Tiny. When Willie comes in, he declares to Tiny that he is canceling Gummy

Larson's contract. He implies that he plans to change the way things are

done at the capital. Jack is taking some tax-bill figures to the Senate

when he learns that Sadie has just stormed out of the offce, and receives

word that Anne has just called with an urgent message.

Jack goes to see Anne, who says that Adam has learned about her

relationship with Willie, and believes the afiair to be the reason he was

given the directorship of the hospital. She tells Jack that Willie has

broken off the afiair because he plans to go back to his wife. She asks

Jack to find Adam and tell him that that isn't the way things happened.

Jack spends the day trying to track down Adam, but he fails to find him.

That night, Jack is paged to go to the Capitol, where the vote on the tax

bill is taking place. Here, Jack greets Sugar-Boy and watches the Boss talk

to his political hangers-on. The Boss tells Jack that he wants to tell him

something. As they walk across the lobby, they see a rain-and-mud-soaked

Adam Stanton leaning against the pedestal of a statue. Willie reaches out

his hand to shake Adam's; in a blur, Adam draws a gun and shoots Willie,

then is shot himself by Sugar-Boy and a highway patrolman. Jack runs to

Adam, who is already dead.

Willie survives for a few days, and at first the prognosis from the

hospital is that he will recover. But then he catches an infection, and

Jack realizes that he is going to die. Just before the end, he summons Jack

to his hospital bed, where he says over and over again that everything

could have been difierent.

After he dies, he is given a massive funeral. Jack says that the other

funeral he went to that week was quite difierent: it was Adam Stanton's

funeral at Burden's Landing.

Chapter 10 Summary

After Adam's funeral and Willie's funeral, Jack spends some time in

Burden's Landing, spending his days quietly with Anne. They never discuss

Willie's death or Adam's death; instead they sit wordlessly together, or

Jack reads aloud from a book. Then one day Jack begins to wonder how Adam

learned about Anne and Willie's afiair. He asks her, but she says she does

not know-- a man called and told him, but she does not know who it was.

Jack goes to visit Sadie Burke in the sanitarium where she has gone to

recover her nerves. She tells Jack that Tiny Dufiy (now the governor of the

state) was the man who called Adam; and she confesses that Tiny learned

about the afiair from her. She was so angry about Willie leaving her to go

back to Lucy that she told Tiny out of revenge, knowing that, by doing so,

she was all but guaranteeing Willie's death. Jack blames Tiny rather than

Sadie, and Sadie agrees to make a statement which Jack can use to bring

about Tiny's downfall.

A week later, Dufiy summons Jack to see him. He offers Jack his job back,

with a substantial raise over Jack's already substantial income. Jack

refuses, and tells Tiny he knows about his role in Willie's death. Tiny is

stunned, and frightened, and when Jack leaves he feels heroic. But his

feeling of moral heroism quickly dissolves into an acidic bitterness,

because he realizes he is trying to make Tiny the sole villain as a way of

denying his own share of responsibility. Jack withdraws into numbness, not

even opening a letter from Anne when he receives it. He receives a letter

from Sadie with her statement, saying that she is moving away and that she

hopes Jack will let matters drop--Tiny has no chance to win the next

gubernatorial election anyway, and if Jack pursues the matter Anne's name

will be dragged through the mud. But Jack had already decided not to pursue

it.

At the library Jack sees Sugar-Boy, and asks him what he would do if he

learned that there was a man besides Adam who was responsible for Willie's

death. Sugar-Boy says he would kill him, and Jack nearly tells him about

Tiny's role. But he decides not to at the last second, and instead tells

Sugar-Boy that it was a joke. Jack also goes to see Lucy, who has adopted

Sibyl Frey's child, which she believes is Tom's. She tells Jack that Tom

died of pneumonia shortly after the accident, and that the baby is the only

thing that enabled her to live. She also tells him that she believes--and

has to believe--that Willie was a great man. Jack says that he also

believes it.

Jack goes to visit his mother at Burden's Landing, where he learns that she

is leaving Theodore Murrell, the Young Executive. He is surprised to learn

that she is doing so because she loved Judge Irwin all along. This

knowledge changes Jack's long-held impression of his mother as a woman

without a heart, and helps to shatter his belief in the Great Twitch. At

the train station, he lies to his mother, and tells her that Judge Irwin

killed himself not because of anything that Jack did, but because of his

failing health. He thinks of this lie as his last gift to her.

After his mother leaves, he goes to visit Anne, and tells her the truth

about his parentage. Eventually, he and Anne are married, and in the early

part of 1939, when Jack is writing his story, they are living in Judge

Irwin's house in Burden's Landing. The Scholarly Attorney, now frail and

dying, lives with them. Jack is working on a book about Cass Mastern, whom

he believes he can finally understand. After the old man dies and the book

is finished, Jack says, he and Anne will leave Burden's Landing--stepping

"out of history into history and the awful responsibility of Time."

CATCH-22

(Joseph Heller)

SOME INFO ON JOSEPH HELLER

b. May 1, 1923, Brooklyn, N.Y., U.S.

American writer whose novel Catch-22 (1961) was one of the most

significant works of protest literature to appear after World War II. The

satirical novel was both a critical and a popular success, and a film

version appeared in 1970.Heller flew 60 combat missions as a bombardier

with the U.S. Air Force in Europe. He received an M.A. at Columbia

University in 1949 and was a Fulbright scholar at the University of Oxford

(1949-50). He taught English at Pennsylvania State University (1950-52) and

worked as an advertising copywriter for the magazines Time (1952-56) and

Look (1956-58) and as promotion manager for McCall's (1958-61), meanwhile

writing Catch-22 in his spare time. The plot of the novel centres on the

antihero Captain John Yossarian, stationed at an airstrip on a

Mediterranean island in World War II, and portrays his desperate attempts

to stay alive. The "catch" in Catch-22 involves a mysterious Air Force

regulation, which asserts that a man is considered insane if he willingly

continues to fly dangerous combat missions; but, if he makes the necessary

formal request to be relieved of such missions, the very act of making the

request proves that he is sane and therefore ineligible to be relieved. The

term Catch-22 thereafter entered the English language as a reference to a

proviso that trips one up no matter which way one turns.His later novels

including Something Happened (1974), an unrelievedly pessimistic novel,

Good as Gold (1979), a satire on life in Washington, D.C., and God Knows

(1984), a wry, contemporary-vernacular monologue in the voice of the

biblical King David, were less successful. Closing Time, a sequel to Catch-

22, appeared in 1994. Heller's dramatic work includes the play We Bombed in

New Haven (1968).

CONTEXT

Joseph Heller was born in Brooklyn in 1923. He served as an Air Force

bombardier in World War II, and has enjoyed a long career as a writer and a

teacher. His bestselling books include Something Happened, Good as Gold,

Picture This, God Knows, and Closing Time--but his first novel, Catch-22,

remains his most famous and acclaimed work.

Written while Heller worked producing ad copy for a New York City

marketing firm, Catch-22 draws heavily on Heller's Air Force experience,

and presents a war story that is at once hilarious, grotesque, bitterly

cynical, and utterly stirring. The novel generated a great deal of

controversy upon its publication; critics tended either to adore it or

despise it, and those who hated it did so for the same reason as the

critics who loved it. Over time, Catch-22 has become one of the defining

novels of the twentieth century. It presents an utterly unsentimental

vision of war, stripping all romantic pretense away from combat, replacing

visions of glory and honor with a kind of nightmarish comedy of violence,

bureaucracy, and paradoxical madness.

Unlike other anti-romantic war novels, such as Remarque's All Quiet on

the Western Front, Catch-22 relies heavily on humor to convey the insanity

of war, presenting the horrible meaninglessness of armed conflict through a

kind of desperate absurdity, rather than through graphic depictions of

suffering and violence. Catch-22 also distinguishes itself from other anti-

romantic war novels by its core values: Yossarian's story is ultimately not

one of despair, but one of hope; the positive urge to live and to be free

can redeem the individual from the dehumanizing machinery of war. The novel

is told as a disconnected series of loosely related, tangential stories in

no particular chronological order; the final narrative that emerges from

this structural tangle upholds the value of the individual in the face of

the impersonal, collective military mass; at every stage, it mocks

insincerity and hypocrisy even when they appear to be triumphant.

SUMMARY FOR "CATCH-22"

Chapters 1-5

Yossarian is in a military hospital in Italy with a liver condition

that isn't quite jaundice. He is not really even sick, but he prefers the

hospital to the war outside, so he pretends to have a pain in his liver.

The doctors are unable to prove him wrong, so they let him stay, perplexed

at his failure to develop jaundice. Yossarian shares the hospital ward with

his friend Dunbar; a bandaged, immobile man called the soldier in white;

and a pair of nurses Yossarian suspect hate him. One day an affable Texan

is brought into the ward, where he tries to convince the other patients

that "decent folk" should get extra votes. The Texan is so nice that

everyone hates him. A chaplain comes to see Yossarian, and although he

confuses the chaplain badly during their conversation, Yossarian is filled

with love for him. Less than ten days after the Texan is sent to the ward,

everyone but the soldier in white flees the ward, recovering from their

ailments and returning to active duty.

Outside the hospital there is a war going on, and millions of boys are

bombing each other to death. No one seems to have a problem with this

arrangement except Yossarian, who once argued with Clevinger, an officer in

his group, about the war. Yossarian claimed that everyone was trying to

kill him. Clevinger argued that no one was trying to kill Yossarian

personally, but Yossarian has no patience for Clevinger's talk of countries

and honor and insists that they are trying to kill him. After being

released from the hospital, Yossarian sees his roommate Orr and notices

that Clevinger is still missing. He remembers the last time he and

Clevinger called each other crazy, during a night at the officers' club

when Yossarian announced to everyone present that he was superhuman because

no one had managed to kill him yet. Yossarian is suspicious of everyone

when he gets out of the hospital; he has a meal in Milo's mess hall, then

talks to Doc Daneeka, who enrages Yossarian by telling him that Colonel

Cathcart has raised to fifty the number of missions required before a

soldier can be discharged. The previous number was forty-five. Yossarian

has flown forty missions.

Yossarian talks to Orr, who tells him an irritating story about how he

liked to keep crab apples in his cheeks when he was younger. Yossarian

briefly remembers the time a whore had beaten Orr over the head with her

shoe in Rome outside Nately's whore's kid sister's room. Yossarian notices

that Orr is even smaller than Huple, who lives near Hungry Joe's tent.

Hungry Joe has nightmares whenever he isn't scheduled to fly a mission the

next day; his screaming keeps the whole camp awake. Hungry Joe's tent is

near a road where the men sometimes pick up girls and take them out to the

the tall grass near the open-air movie theater that a U.S.O. troupe visited

that same afternoon. The troupe was sent by an ambitious general named P.P.

Peckem, who hopes to take over the command of Yossarian's wing from General

Dreedle. General Peckem's troubleshooter Colonel Cargill, who used to be a

spectacular failure as a marketing executive and who is now a spectacular

failure as a colonel. Yossarian feels sick, but Doc Daneeka still refuses

to ground him. Doc Daneeka advises Yossarian to be like Havermeyer and make

the best of it; Havermeyer is a fearless lead bombardier. Yossarian thinks

that he himself is a lead bombardier filled with a very healthy fear.

Havermeyer likes to shoot mice in the middle of the night; once, he woke

Hungry Joe and caused him to dive into one of the slit trenchs that have

appeared nightly beside every tent since Milo Minderbinder, the mess

officer, bombed the squadron.

Hungry Joe is crazy, and though Yossarian tries to help him, Hungry Joe

won't listen to his advice because he thinks Yossarian is crazy. Doc

Daneeka doesn't believe Hungry Joe has problems--he thinks only he has

problems, because his lucrative medical practice was ended by the war.

Yossarian remembers trying to disrupt the educational meeting in Captain

Black's intelligence tent by asking unanswerable questions, which caused

Group Headquarters to make a rule that the only people who could ask

questions were the ones who never did. This rule comes from Colonel

Cathcart and Lieutenant Colonel Korn, who also approved the skeet shooting

range where Yossarian can never hit anything. Dunbar loves shooting skeet

because he hates it and it makes the time go more slowly; his goal is to

live as long as possible by slowing down time, so he loves boredom and

discomfort, and he argues about this with Clevinger.

Doc Daneeka lives in a tent with an alcoholic Indian named Chief White

Halfoat, where he tells Yossarian about some sexually inept newlyweds he

had in his office once. Chief White Halfoat comes in and tells Yossarian

that Doc Daneeka is crazy and then relates the story of his own family:

everywhere they went, someone struck oil, and so oil companies sent agents

and equipment to follow them wherever they went. Doc Daneeka still refuses

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