There are close ties - past and present - between the  Monarchy  and  the 
monetary system. They can be seen, for example, in the title of  the  'Royal 
Mint' and the representation of  the  monarch  on  all  circulating  British 
coinage. 
   The first coins were struck in the British Isles  2000  years  ago  using 
designs copied from Greek coins. Following the Roman invasion of Britain  in 
43 AD, the Roman coinage system was introduced. After the decline  of  Roman 
power in Britain from the fifth century  AD,  the  silver  penny  eventually 
emerged as the dominant coin circulating  in  England  but  no  standardized 
system was yet in place. 
   In the eighth century, as strong kings emerged with power over more  than 
one region, they began to centralize the currency.  Offa  introduced  a  new 
coinage in the form of the silver penny, which for centuries was to  be  the 
basis  of  the  English  currency.  Alfred  introduced  further  changes  by 
authorising mints in the burhs he had founded. By  800  AD  coins  regularly 
bore  the  names  of  the  kings  for  whom  they  were  struck.  A  natural 
development was the representation of  their  own  images  on  their  coins. 
Coinage played a part in spreading the fame of kings - the more often  coins 
passed through men's hands, and  the  further  afield  they  were  taken  by 
plunder or trade, the more famous their  royal  sponsors  became.  Athelstan 
(d. 939) is the first English king to be shown on his coins wearing a  crown 
or circlet. For many  people,  the  king's  image  on  coins  was  the  only 
likeness of the monarch which they were likely to see in their lifetimes. 
   By the end of the  tenth  century  the  English  monarchy  had  the  most 
sophisticated coinage system in western Europe. The system allowed kings  to 
exploit the wealth of a much enlarged kingdom and to raise  the  very  large 
sums of money which they had to use as bribes to limit  the  effect  of  the 
Vikings' invasions at the end of the tenth century. 
   For five centuries in England, until 1280, silver pennies were  the  only 
royal coins in circulation. Gradually a  range  of  denominations  began  to 
emerge, and by the mid fourteenth century a  regular  coinage  of  gold  was 
introduced. The gold sovereign came into existence in 1489 under King  Henry 
VII. Throughout this period, counterfeiting coinage was regarded as a  grave 
crime against the state amounting to high  treason  and  was  punishable  by 
death under an English statute of 1350. The crime was considered  to  be  an 
interference with the administration of government  and  the  representation 
of the monarch. Until the nineteenth century the Royal  Mint  was  based  at 
the Tower of London, and  for  centuries  was  therefore  under  the  direct 
control of the monarch. 
   The English monarchy was the first  monarchy  in  the  British  Isles  to 
introduce a coinage for practical and propaganda purposes.  Only  one  early 
Welsh king, Hywel Dda, minted a coin, though it may not have  been  produced 
in Wales itself. The first Scottish king to issue a coinage was David I  (d. 
1153). Until the reign of Alexander III  (1249-1286)  Scottish  coinage  was 
only issued sparingly. During the reign of Alexander III coins began  to  be 
minted in much larger quantities, a result of increasing trade  with  Europe 
and the importation of foreign silver. 
   After the death of Alexander III in  1289,  Scotland  fell  into  a  long 
period of internal strife and  war  with  England.  A  nominal  coinage  was 
issued under John Balliol c.1296 and then  in  reign  of  Robert  the  Bruce 
(1306-1329), but the first substantial issue of coinage did not  come  until 
the reign of David II (1329-1371). The accession by James VI to the  English 
throne in 1603 saw the fixing of value of the Scottish coinage  to  a  ratio 
of 1 / 12 with English coinage. After  the  Act  of  Union  in  1707  unique 
Scottish coinage came to an end. The last Scottish  minted  coins  were  the 
sterling issues based on the English denominations that  were  issued  until 
1709 with the  "E"  mintmark  for  Edinburgh.  Some  British  coinages  have 
featured Scottish devices, the Royal Arms of Scotland or the thistle  emblem 
during the 20th century, but these are a part of the coinage of  the  United 
Kingdom, not unique to Scotland. 
   In the United Kingdom a streamlining of coinage production took place  in 
the nineteenth and twentieth centuries. Until  the  Restoration  of  Charles 
II, coins were struck by hand. In 1816, there was  a  major  change  in  the 
British coinage, powered by the Industrial Revolution. The Royal Mint  moved 
from The Tower of London to new premises on nearby Tower Hill, and  acquired 
powerful new steam powered coining presses. Further changes  took  place  in 
the 1960s, when the Mint moved  to  modern  premises  at  Llantrisant,  near 
Cardiff. 
   After over a thousand years and many changes  in  production  techniques, 
the monarch continues to be depicted on the obverse of  modern  UK  coinage. 
Certain traditions are observed in this representation.  From  the  time  of 
Charles II onwards  a  tradition  developed  of  successive  monarchs  being 
represented on the  coinage  facing  in  the  opposite  direction  to  their 
immediate predecessor. There was an exception to this in the brief reign  of 
Edward VIII, who liked portraits of himself facing to the left, even  though 
he should have faced to the right according to tradition.  The  designs  for 
proposed coins in the Mint collection show Edward VIII facing to  the  left. 
The tradition has been restored since the reign of George VI. 
   During The Queen's reign there have  been  four  representations  of  Her 
Majesty on circulating coinage. The original coin portrait  of  Her  Majesty 
was by Mary Gillick and was adopted at the beginning of the reign  in  1952. 
The following effigy was by Arnold Machin OBE, RA, approved by the Queen  in 
1964. That portrait, which features the same tiara  as  the  latest  effigy, 
was used on all the decimal coins from 1968. The next effigy was by  Raphael 
Maklouf FRSA and was adopted in 1985. The latest portrait was introduced  in 
1998 and is the work of Ian  Rank-Broadley  FRBS,  FSNAD.  In  keeping  with 
tradition, the new portrait continues to show the Queen  in  profile  facing 
to the right. Her Majesty is wearing the tiara which  she  was  given  as  a 
wedding present by her grandmother Queen Mary. 
   Images of the monarch on bank notes are a  much  more  recent  invention. 
Although bank notes began to be issued from the  late  seventeenth  century, 
they did not come to predominate over coins until  the  nineteenth  century. 
Only since 1960 has the British Sovereign  been  featured  on  English  bank 
notes, giving The Queen a unique distinction above her predecessors. 
                                   STAMPS 
   There is a close relationship between the British Monarchy and the postal 
system of  the  United  Kingdom.  Present-day  postal  services  have  their 
origins in  royal  methods  of  sending  documents  in  previous  centuries. 
Nowadays, the image of The Queen on postage stamps preserves the  connection 
with the Monarchy. 
   For centuries letters on affairs of State to  and  from  the  Sovereign's 
Court, and despatches in time of war, were  carried  by  Messengers  of  the 
Court and couriers employed for particular occasions.  Henry  VIII's  Master 
of the Posts set up post-stages along the major roads of the  kingdom  where 
Royal Couriers, riding post-haste, could change  horses.  In  Elizabeth  I's 
day, those carrying the royal mail were to 'blow their horn as oft  as  they 
met company, or four times every mile'. Letters of particular urgency -  for 
example, reprieves for condemned  prisoners  -  bore  inscriptions  such  as 
'Haste, haste - post haste - haste for life for life hast' and the  sign  of 
the gallows. During the reign of James I (1603-25) all  four  posts  of  the 
kingdom still centred on the Court: The Courte  to  Barwicke  (the  post  to 
Scotland); The Courte to Beaumoris (to Ireland); The  Courte  to  Dover  (to 
Europe) and The Courte to Plymouth (the Royal Dockyard). 
   Charles I opened his posts to public use, as a means  of  raising  money. 
Although public use of the royal posts increased, the running  of  the  mail 
continued to centre round the post requirements of  the  Sovereign's  Court. 
Until the 1780's the Mails did not leave London until the Court letters  had 
been received at the General Post Office, and as late as 1807 Court  letters 
coming into London were, unlike ordinary letters, delivered the  moment  the 
mail arrived. The postal system rapidly spread during Victoria's reign  with 
the introduction of the Uniform Penny  Postage  in  1840,  and  the  Queen's 
letters  bore  postage  stamps  like  everyone  else's.   Royal   Messengers 
continued to carry certain letters by hand.  The  increase  in  the  Court's 
mail led to special postal facilities being provided in 1897 in the form  of 
a Court Post Office - an arrangement which  still  exists  today  under  the 
management of the Court Postmaster. 
   Symbols of the  royal  origins  of  the  UK's  postal  system  remain:  a 
miniature silhouette of the Monarch's head is depicted on  all  stamps;  the 
personal cyphers of The Queen and her predecessors (going back to  Victoria) 
appear on many letterboxes dating from their  respective  reigns  throughout 
the country; and the postal delivery service is known as the Royal Mail. 
                                COATS OF ARMS 
   The function of the Royal Coat of Arms is to identify the person  who  is 
Head of State. In respect of the United Kingdom, the royal  arms  are  borne 
only by the Sovereign. They are used in many ways  in  connection  with  the 
administration and government of the country,  for  instance  on  coins,  in 
churches and on public buildings. They are familiar to most people  as  they 
appear on the products and goods of Royal Warrant holders. 
   The Royal Coat of Arms of the United Kingdom have evolved over many years 
and reflect the history of the Monarchy and of the country.  In  the  design 
the shield shows the various royal emblems of different parts of the  United 
Kingdom: the three lions of England in the first and  fourth  quarters,  the 
lion of Scotland in the second and the harp of Ireland in the third.  It  is 
surrounded by a garter bearing the motto Honi soit qui mal  y  pense  ('Evil 
to him who evil thinks'), which symbolises  the  Order  of  the  Garter,  an 
ancient order of knighthood of which the Queen is Sovereign. The  shield  is 
supported by the English lion and Scottish unicorn and is surmounted by  the 
Royal crown. Below it appears the motto of the Sovereign, Dieu et mon  droit 
('God and my right'). The  plant  badges  of  the  United  Kingdom  -  rose, 
thistle and shamrock - are often displayed beneath the shield. 
   Separate Scottish and English quarterings of  the  Royal  Arms  originate 
from the Union of the Crown in 1603. The Scottish version of the Royal  Coat 
of Arms shows the lion of Scotland in the first and  fourth  quarters,  with 
that of England being in the second. The harp of Ireland  is  in  the  third 
quarter. The mottoes read  In  defence  and  No  one  will  attack  me  with 
impunity. From the times of the Stuart kings, the Scottish quarterings  have 
been used for official  purposes  in  Scotland  (for  example,  on  official 
buildings and official publications). 
   The special position of Wales as a Principality  was  recognised  by  the 
creation of the Prince  of  Wales  long  before  the  incorporation  of  the 
quarterings for Scotland and Ireland in the Royal  Arms.  The  arms  of  the 
Prince of Wales show the arms of the ancient Principality in the  centre  as 
well as these quarterings. 
   Coats of Arms of members of the Royal Family are broadly similar  to  The 
Queen's with small differences to identify them. 
                                 GREAT SEAL 
   The Great Seal of the Realm is the chief seal of the Crown, used to  show 
the  monarch's  approval  of   important   state   documents.   In   today's 
constitutional monarchy, the Sovereign acts on the advice of the  Government 
of the day, but the seal remains an  important  symbol  of  the  Sovereign's 
role as Head of State. 
   The practice of using  this  seal  began  in  the  reign  of  Edward  the 
Confessor in the 11th century, when a  double-sided  metal  matrix  with  an 
image of the Sovereign was used to make an impression in wax for  attachment 
by ribbon or cord to royal documents. The seal meant that  the  monarch  did 
not need to sign every official document in person; authorisation  could  be 
carried out instead by an appointed officer. In centuries  when  few  people 
could read or write, the seal  provided  a  pictorial  expression  of  royal 
approval which all could understand. The uniqueness of the official  seal  - 
only one matrix was in existence at  any  one  time  -  also  meant  it  was 
difficult to forge or tamper with official documents. 
   The Great Seal matrix has changed many times throughout the centuries.  A 
new matrix is engraved at the beginning of each reign on the  order  of  the 
Sovereign; it is traditional that on the death  of  the  Sovereign  the  old 
seal is used until the new Sovereign orders otherwise. For many monarchs,  a 
single seal has sufficed. In the case of some long-reigning  monarchs,  such 
as Queen Victoria, the original  seal  simply  wore  out  and  a  series  of 
replacements was required. 
   The Queen has had two  Great  Seals  during  her  reign.  The  first  was 
designed by Gilbert Ledward and came into  service  in  1953.  Through  long 
usage and the  heat  involved  in  the  sealing  process,  the  matrix  lost 
definition. From summer 2001 a new Great Seal, designed  by  sculptor  James 
Butler and produced by the Royal Mint, has been in use. At a meeting of  the 
Privy Council on 18 July 2001 The Queen handed the new seal matrix  over  to 
the Lord High Chancellor,  currently  Lord  Irvine  of  Lairg,  who  is  the 
traditional keeper of the Great Seal. 
   The Great Seal matrix will be  used  to  create  seals  for  a  range  of 
documents  requiring  royal  approval,  including  letters   patent,   royal 
proclamations, commissions, some writs (such as writs for  the  election  of 
Members of Parliament), and the documents  which  give  power  to  sign  and 
ratify treaties. During the year 2000-01, more  than  100  documents  passed 
under the Great Seal. Separate seals exist for Scotland - the Great Seal  of 
Scotland - and for Northern Ireland. 
   The process of sealing takes place nowadays at the House of Lords in  the 
office of the Clerk of the Crown in Chancery. A system  of  'colour  coding' 
is used for the seal impression, depending on the type of document to  which 
it is being affixed. Dark green seals are affixed to  letters  patent  which 
elevate individuals to the  peerage;  blue  seals  are  used  for  documents 
relating to the close members of the Royal Family; and scarlet red  is  used 
for documents appointing a bishop and for most other patents. 
                                    FLAGS 
   A number of different types of flag are associated with The Queen and the 
Royal Family. The Union Flag (or Union Jack) originated  as  a  Royal  flag, 
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